The LEGO Movie

The LEGO Movie

The LEGO Movie

Well it’s been a while since I’ve actually seen a kids movie in theaters primarily because there are none that were released that were actually interesting. Well that is until now. This movie I am reviewing today is a movie that has received almost unanimously positive reviews and you would think at first that the concept would be silly but it is probably one of the most brilliantly executed movies in a good long while. And this movie also marks a milestone for me because this movie is actually not the first movie that I have seen in 3D overall (that honor belongs to Friday the 13th 3D) but this movie marks the first movie released to theaters that I have seen in 3D. So without further ado, here is my review of the movie that has taken the world by storm: The LEGO Movie.

This movie has been in development for several years even though I’m pretty much convinced that this film’s existence is primarily due to the success of shows like Robot Chicken and also due to the success that LEGO has had with its video game adaptations of popular film franchises such as Star Wars, Indiana Jones, Lord of the Rings, Batman, and Pirates of the Caribbean among others and there are plans to release games based on Ghostbusters (in June) and Back to the Future (next year.)

However, enough said here. Now let’s get on to the movie.

The movie focus on a LEGO minifigure named Emmett (voiced by Chris Pratt) who is basically an Average Joe construction worker who isn’t really creative or popular yet maintains an overly optimistic outlook. However, he is soon mistaken to be the man known as the Special who will find the Piece of Resistance which is the key to stopping a weapon that threatens all of LEGO-kind. Opposing him is Lord Business (voiced by Will Ferrell) who is also the president of the dystopian LEGO city that Emmett lives and works in and his right-hand man Good Cop/Bad Cop (voiced by Liam Neeson.) When we first meet Lord Business, he is wearing a headpiece that kind of makes him look like Mola Ram in Indiana Jones and the Temple of Doom and he is seen stealing the secret weapon known as the Kragle which has the ability to freeze all the LEGO figures in place.

Soon Emmett is joined in his quest by a mysterious woman called Wyldstyle (voiced by Elizabeth Banks from The Hunger Games), her boyfriend LEGO Batman (yes, you heard that right. Her boyfriend is LEGO Batman and he’s voiced by Will Arnett who actually does a decent job portraying the LEGO version of the Dark Knight,) a wise blind sage called Vitruvius (voiced by Morgan Freeman) and Princess Uni-Kitty (voiced by Community’s Alison Brie) among countless other.

As far as the pace of the movie goes, there isn’t really a bad thing I can say about this. Pretty much every joke used in the movie works. The 3D effects are pretty good and I also like the effects involving the construction of many various LEGO objects and they put the number of the product right next to the blueprints. I also like the transistions that pop up throughout the movie like for example at the beginning of the movie where Emmett is singing the theme song of the movie he remarks that he could sing that song for hours. Then the caption comes up “Five hours later…” and he’s still singing. The voice acting is pretty decent, especially by Liam Neeson, who sounded like he was having a good time playing the bad guy. And there is a bit of a twist toward the end that I won’t spoil here. And also look for some cleverly-placed cameos from all the characters that LEGO adapted into video game characters, such as LEGO Superman, LEGO Wonder Woman, the Teenage Mutant Ninja Turtles, and even a cameo by the Millennium Falcon piloted by Han Solo with Lando Calrissian and C3-PO in tow (Note: With the exception of Han Solo, Lando and C3-PO are voiced by the original actors.)

So in short, if you haven’t gotten out to see this movie, you have to see it while it’s still in theaters. And it doesn’t matter if you’re a kid or a kid at heart and don’t let people say that you’re too old for a movie like this. I’m 36 and I enjoyed this movie. I’m glad I went to see it and I’m really proud to say that this is the first movie I saw in 3D in theaters.

So there’s nothing really left to say about The LEGO Movie except that just like the theme song says, “Everything is awesome!”

Man of Steel

Man of Steel.

Man of Steel.

Okay, here it is folks. The review you have all been waiting for. Here is a review of a movie that I have been waiting several months to see and I originally was supposed to attend a special opening night screening of this movie that was sponsored by Walmart this past summer but then Mother Nature decided to cancel my plans and give us a flood warning instead so I couldn’t be able to go. And so I waited and waited and waited until I finally bought it on DVD. Well I finally watched it and since I still owe everyone this review now seven months later I am finally going to deliver. Ladies and gentlemen, here is my long-awaited review of this past summer’s Superman reboot as produced by Christopher Nolan (who successfully reimagined Batman for modern audiences) and directed by Zack Snyder (300 and Watchmen.) And without further ado, here is Man of Steel.

When this came out, I was shocked at the fact that it holds a 56 percent approval rating on Rotten Tomatoes and the reception for this movie has everyone on the Internet split right down the middle as far as whether this movie is good or this movie sucks. Now what do I think about it? Well, I actually thought that the movie was pretty good for a reboot of a character that many people cannot really relate to as I mentioned in my review of Superman IV. I mean, how can people relate to a man from another planet that appears somewhat God-like? I guess that was the whole point of the reboot: How to make Superman more relatable to a modern audience, hence the reason for the dark tone of the movie. In this movie, Superman is portrayed more as an outsider who is conflicted about what his lot in life is. He has all these powers, he’s indestructible and all that stuff. But he’s torn over whether he should use his powers for good or evil. He was practically raised to do the right thing but as an outsider, he is conflicted. Like he says at the end of the movie, “I’m from Kansas. That’s as American as it gets.” And for generations the Midwest has been known for its good moral values.

So why does this movie have everyone split down the middle? Let’s find out.

The movie opens on Krypton (of course, this is an origin story) and the Krypton scenes are very well done, almost to the point where it looks more like Pandora from Avatar than it does the Krypton we saw in the Christopher Reeve Superman movies.  On Krypton, they ride winged creatures as well as space vehicles. Russell Crowe is actually pretty badass as Jor-El and he turns in a pretty decent performance and on the plus side, at least he doesn’t sing  in this movie.

"I WILL FIND HIM!" Must be the 21st Century's version of "Kneel before Zod!

“I WILL FIND HIM!” Must be the 21st Century’s version of “Kneel before Zod!”

The scene where they put the baby Superman (Krypton’s first natural birth in centuries as opposed to everyone else who are actually harvested like in the Matrix movies) into the spaceship is handled with a bit more emotion than in the original version. At the same time, Krypton is under attack from General Zod, an ex-military general who wants to take over Krypton. Here he’s played by Michael Shannon and like Crowe as Jor-El, he is more badass than Terence Stamp although Terence Stamp’s interpretation of Zod in the Reeve films is still iconic. I mean, Zod in this movie doesn’t even say “Kneel before Zod!” like he does in Superman II. The closest he gets is when he shouts “I WILL FIND HIM!” before he is sent to the Phantom Zone.

Of course everyone knows the story up to this point. Baby Superman flies toward Earth; General Zod gets sent off to the Phantom Zone; Krypton go boom; Baby Superman crashes on a fishing boat. Wait, what?

Well, I guess the remainder of the first half of the movie plays like a remake of Batman Begins recast with Superman.

Right after the Krypton scenes, we cut to the grown-up Clark (now played by Henry Cavill) who is working on a fishing boat when they come up on an oil rig that is about to explode. Clark saves the people on the rig, but then we cut to Clark as a boy in school discovering his powers. Then we cut back to him as a man and then we cut to the young Clark saving a school bus full of kids. And you pretty much get the idea.

And here’s where we come to the first real low point of the movie: Kevin Costner as Jonathan Kent. When he chastises Clark for exposing himself to save a bunch of kids, it shows you how much of a dick he is in this movie. And I agree with a lot of the Internet reviewers on the grounds that Kevin Costner is the worst Jonathan Kent ever. As far as I’m concerned the best Jonathan Kent ever was Bo Duke on Smallville with the guy who played him in the original Superman movie a pretty close second. The part that pissed a lot of people off (myself included) was when Clark asks, “What was I supposed to do, let them drown?” To which Kevin replies, “Maybe.” I literally shouted “What the hell!” I mean, this is not Field of Dreams Kevin Costner. This is not Dances With Wolves Kevin Costner. Hell, this isn’t even The Bodyguard Kevin Costner. This is Waterworld Kevin Costner and this is the Kevin we’ve known for the last 20 years.  Does that mean that every movie he’s done since The Bodyguard was bad? No, but unfortunately he hasn’t had any good ones either. The last Kevin Costner movie I actually enjoyed post-Bodyguard was 3000 Miles to Graceland and that was because he was so hilariously bad in that movie as the psycho Elvis impersonator. And to think Kevin passed up Django Unchained for this. You know what? Maybe he should have done Django Unchained.

As far as Jonathan Kent telling Clark to let the kids die instead of risking exposure, I don’t buy it for a second. You’re supposed to be raised to do the right thing and then you turn around to let kids die? If I had super powers and I had to deal with a busload of kids drowning, I would have done the same exact thing Clark did: Save the freakin’ kids!

And later in the movie when Jonathan dies in a tornado, it’s basically done for the stupidest of reasons. He tries to rescue a dog and ends up breaking his leg. And this is something that he could have sent Clark to do but you know Jonathan, he doesn’t want Clark exposing himself because he’s afraid those pesky scientists will take him away and experiment on him. So he ends up getting swept away by the tornado. And the reason I don’t like this is because it cheapens Jonathan’s death to the point where the audience does not feel sorry for him when he buys the farm. I’m sorry but I’m not sorry to see this character go. At least with Jonathan Kent’s death scene in the original film, him dying of a heart attack and Clark being powerless to save him, at least that scene had more emotional oomph than Kevin Costner’s death in this movie.

But anyway, I don’t want to drag this on any longer, let’s continue. Right after the whole Kevin Costner controversy, we revert back to the present time where after being humiliated by a truck driver and later avenging that by crucifying his truck on an electric pole, Clark heads up to the North Pole where the US Military have discovered an unidentified object which turns out to be a Kryptonian ship buried in the ice. This also attracts the attention of reporter Lois Lane (played by Amy Adams, who is actually the best Lois Lane ever.) This Lois comes off as gutsy, independent and a risk taker as opposed to someone who just gets into trouble just so Superman could save her. And at least this Lois has the guts to say to Colonel Hardy (played by Christopher Meloni from Law and Order: SVU,) “Now that we’re done measuring dicks, you want to tell me what you found?” Let’s hear Margot Kidder say a line like that.

And the less said about Kate Bosworth the better.

So anyway, Lois sees Clark entering the Kryptonian vessel and follows him inside only to be attacked by one of the robots which Clark destroys and he heals her wound with his heat vision. Then he dumps her outside the vessel and takes off with it. And while Lois attempts to get her story of the spaceship out, Clark is learning all about his destiny and heritage from a hologram of Jor-El which leads to him putting on the costume (which in this case actually looks like a special body armor but not that far removed from the iconic costume that we all know and love) and learning how to fly.

And while that’s going on, let’s talk about another member of the cast: Laurence Fishburne who is playing Perry White (in a little twist of racial irony.) When we first meet him, we think he’s going to be another dick like Kevin Costner’s Jonathan Kent but at least Perry White has a valid excuse (he’s the editor of a newspaper.) When he first refuses to run Lois’ story, she considers putting it out on the Internet, but she eventually reconsiders running the story when she eventually tracks Clark down to Smallville. I actually like the fact that she knows that Clark is not of this world before he actually turns into Superman as opposed to her finding out later like she does in both comic and film canon.

However, General Zod resurfaces (apparently after Krypton was destroyed he and his followers were automatically released from the Phantom Zone) and takes over the world’s communication systems in an X-Files meets Independence Day sort of way. He demands that Clark surrender to them or they will destroy the planet. And so Clark arrives in costume and surrenders himself to the military to show them that he is not a threat and he talks to Lois (who had also been arrested by the government for what she knows) and here’s where we finally learn what the S on his chest really means. And the S doesn’t mean Superman. It is actually a symbol on Krypton meaning “hope” which makes sense because Superman is supposed to be the embodiment of hope.

Eventually Zod’s soldiers (including an Ursa lookalike) arrives to collect Clark and they take Lois too and Clark cannot adapt to Zod’s vessel’s atmosphere because it’s Kryptonian and he has been on Earth all his life. Well, you get the idea there. And it is here where Zod tries to get Clark to join him because Zod has a terraforming device that he wants to use to create a new Krypton. And if you remember Star Trek II (the original Star Trek II not the JJ Abrams version,) when a terraforming device is used on a planet where life exists, all life will be wiped out.

A new Superman for a new audience.

A new Superman for a new audience.

And with that, Lois and Clark escape from Zod’s ship with the assist of the hologram Jor-El and set out to stop the Kryptonians from destroying the Earth with their terraforming device which they have two such devices installed: One over Metropolis and the other over the Indian Ocean.

After saving Smallville (what’s left of it after the battle and finally convincing the military that he really is on the side of good,) Clark finally becomes known as Superman and sets out to destroy the terraforming device that is over the Indian Ocean while Lois and the military try to destroy the one over Metropolis. They eventually succeed but not before Metropolis ends up looking like 9/11, therefore making Man of Steel the second summer movie released in 2013 with said references (the other one being Star Trek Into Darkness where Khan attempts to crash the USS Vengeance into Starfleet Headquarters.)

And the final fight between Superman and Zod begins with even more destruction and this was also heavily critcized by audiences primarily because of the collateral damage assuming that Superman was also responsible for several deaths even though we don’t actually see any dead bodies in the wake of the falling debris. And here is where we come to the most controversial scene in the movie: The part where Superman breaks Zod’s neck.

Now before you get started on the whole “Oh, Superman doesn’t kill people!” rant, he has killed before, both in the comics and in Superman II and in both instances, the victim was General Zod. The point is that Superman does not enjoy killing people which is why he has that code in place and since this is an origin story, we need to see how Superman gets his no killing policy. And the main reason why he kills Zod was because Zod gave him NO OTHER OPTION! He was actually going to kill those people with his heat vision despite Superman telling him to stop. And it also shows Superman screaming in remorse even though in this case he did the right thing.

And as far as whether or not that scene bothered me, it didn’t.

However, the ending is kind of rushed although the joke about the female army captain remarking how hot Superman is was actually funny. And the movie ends with Clark finally donning the glasses and working for the Daily Planet.

And now on to performances. Henry Cavill actually did an awesome job and gave us a fresh take on the character. And here is the difference between him and Brandon Routh in Superman Returns. While Brandon Routh was trying to play Christopher Reeve, Henry Cavill was trying to play Superman. However it’s safe to say that Christopher Reeve’s legacy is safe. Amy Adams is by far the best actress to play Lois Lane. It erases the bad taste in my mouth that I got from Kate Bosworth in the last movie. Michael Shannon I mentioned before; Russell Crowe I mentioned before; Kevin Costner I mentioned before so no need to revisit that again but I do have to make one more remark about that: You know your Superman movie is in trouble when Russell Crowe ends up being the better father figure than Kevin Costner.

As far as everything else goes, Zack Snyder did a pretty good job with directing. Visuals were good even though it suffers from the same problems that many people accuse the JJ Abrams Star Trek films of: Too many lens flares and the Battlestar Galactica Shakycam effects. Hans Zimmer’s score is good even though I miss the John Williams score.

So as far as Man of Steel goes, it is at least as long as the original Superman movie (just under 2 and a half hours) and while it seems to fit right in with the movies that are released for people with short attention spans and expect movies like Michael Bay’s Transformers movies. However, Man of Steel is actually a pretty good movie. It fixed most of the problems that plagued Superman Returns (except for the whole Superman as a religious figure idea.) In short, Man of Steel is good despite its many flaws. Is it as good as the first two? No. Is it better than the other films? Yes.

And some final thoughts on Batman vs Superman which is currently set for release on May 6, 2016. How do I feel about Ben Affleck as Batman? Well I guess I’ll have to wait until that movie comes out. Christian Bale will be the best Batman ever but if Ben can pull it off then more power to him. Same goes for Gal Gadot (the hot girl from the Fast and Furious franchise) who had just been cast as Wonder Woman.

So my final thoughts: Don’t let the negative publicity surrounding this film dissuade you from seeing. If you want to see this film, see it with an open mind. If not, well just stick with the Christopher Reeve films. Well, except for Superman IV because we all know that was the worst Superman film ever.

 

Spider-Man (1977 TV Pilot)

[blip.tv http://blip.tv/play/iIMmg4b2egA?p=1 width=”320″ height=”270″]

Spider-Man, 1970’s style.

Today, since I didn’t get to do a new movie review, I decided to do a special old movie review and this one is a very rare find. It’s not available on DVD. However, I recently discovered it on YouTube and I figure why not review it. Here then is a review of “Spider-Man…” the 1970’s TV pilot.

Yeah, it’s almost as cheesy as the 60’s Batman TV series and the visual effects are primitive even by 70’s standards, but it sure is nostalgic. I remember seeing  this as a kid on Videodisc (if you’re as old as I am, you’ll remember videodiscs) and I thought it was really good back then.

There were obviously some liberties taken with the show. For one thing, Peter Parker (played here by Nicholas Hammond who at the time was known only as one of the Von Trapp kids in The Sound of Music) gets his super powers while in college. In the comics, he gets them while still in high school. He starts out as a photographer for the Daily Bugle before he gets bitten by the radioactive spider whereas in the comics, he works for the Bugle after becoming Spider-Man. There’s no mentioning of his Uncle Ben, whose murder gave Spidey his motivation and his “with great power comes great responsibility” philosophy. So he really has no motivation to become Spider-Man except that he was bitten by a radioactive spider and that he becomes a superhero just for the fun of it. Plus, Spidey’s too quiet. It’s like he’s more ninja than superhero in this one.

I know I’m nitpicking, but I am a die-hard Spider-Man fan. Deal with it.

But there are some things that stand out: For one, the funky “porn music” score (which almost every 70’s show seemed to have and this was no exception) and the wall-crawling effects, which seem unbelievable and impossible (even for a stuntman in the 70’s) to do. But to be fair, Spidey was a next-to-impossible superhero character to pull off back in the 70’s as opposed to now where we have CGI technology to bring him to life. And this show gets an A for effort.

The 2-hour pilot is basically an origin story. Peter gets his powers, becomes Spider-Man and fights crime. His first adversary in this one  is a self-help guru (played by Thayer David aka the boxing promoter from the first Rocky movie) who uses mind control to hypnotize select people to rob banks for him. His evil plan that Spidey has to foil is that he’s blackmailing the city in which unless the city pays him millions of dollars, he is going to hypnotize ten people to commit mass suicide.

Sure enough, the pilot episode launched the series, which lasted for two very short seasons, producing a total of 13 episodes before CBS pulled the plug, not because of ratings but because of “network politics.” CBS didn’t want to be known as the “Superhero Network.” At that time, CBS also had “Wonder Woman” and “The Incredible Hulk” on the air at that time.

But I can’t really pick on the show too much. After all, it was the 70’s. But those were the days. So if you’re nostalgic and want to see an early attempt to bring your friendly neighborhood Spider-Man to TV or film, you might want to check it out.

Since it still is not available on DVD, if you want to watch it and don’t want to search for it, here it is: